Conferences

Symposium: “From-Heres” and “Come-Heres”:Perceptions of the Immigrant Other and Transcultural Encounters in Virginia and North Rhine-Westphalia

Monday, June 14, 2010 - Three-part project, supported by University of Siegen, Norfolk State University/Virginia, Foundation for German American Academic Relations; Symposia at NSU and U of Siegen; panel at MESEA (Multi-Ethnic Studies: Europe and the Americas) conference in Pécs/Hungary, June 2010

Siegen organizer and contact: Dr. Cathy Waegner, waegner@anglistik.uni-siegen.de

„Adaptations – Performing across Media and Genres“

Jahrestagung der Deutschen Gesellschaft für das englischsprachige Drama und Theater der Gegenwart
17th CDE Annual Conference, Universität Siegen, Attendorn, Germany, May 1-4, 2008

Gefördert von:
Deutsche Forschungsgemeinschaft (DFG)
British Council
Verein d. Freunde und Förderer der Universität Siegen

Tagungsbericht:
http://www.english.uni-mainz.de/projects/cde/conf/2008/

Konferenz-Homepage:
http://www.fb3.uni-siegen.de/cde/?site=contact

Publikationen (Tagungsband sowie zum zeitgenössischen britischen Drama und Theater):

• Voigts-Virchow, Eckart & Monika Pietrzak-Franger, Adaptations — Performing across Media and Genres (Contemporary Drama in English, in Vorbereitung für 2009).
• Voigts-Virchow, Eckart. „Shades of Negativity and Self-Reflexivity: The Reception of Beckett in German Literary Studies“ in Mark Nixon and Matthew Feldman, Eds. The International Reception of Samuel Beckett. New York and London: Continuum, 2009.
• Voigts-Virchow, Eckart „Sarah Kane and Postdramatic Theatre” in Laurens de Vos, Ed. Pariahs of Reason. Spots on Sarah Kane (Manchester University Press, in Vorbereitung für 2009).
• Voigts-Virchow, Eckart. „Postdramatic Theatre (Martin Crimp, Attempts on Her Life)” (Arbeitstitel) in Merle Tönnies, Ed., Handbuch englisches Drama der Gegenwart: Kategorien, Entwicklungen, Modellinterpretationen (Trier: WVT, in Vorbereitung für 2009).
• Voigts-Virchow, Eckart. „Neil LaBute, The Shape of Things” (Arbeitstitel) in Herbert Grabes, Klaus Schwank, Eds., Handbuch amerikanisches Drama der Gegenwart. Trier: WVT, in Vorbereitung für 2009).

Bereits erschienen:

• Voigts-Virchow, Eckart. „Therapeutic Rape? – From Censoring Plays to Censoring Display in Film and Television: The Case of Dennis Potter’s Brimstone and Treacle” in Journal for the Study of British Cultures, Special Issue on Censorship, Ed. Barbara Korte, Jochen Petzold 15.2 (2008), 135–146.
• Voigts-Virchow, Eckart. „‚Am I as much as … being seen.’ Beckett-Inszenierungen“ in: Michael Giesing, Carola Veit, Gaby Hartel. Das Raubauge in der Stadt. Beckett liest Hamburg. Hamburg: Wallstein Verlag, 2007: 198-213.
• Voigts-Virchow, Eckart und Mark Schreiber. „Will the ‚Wordy Body’ Please Stand Up?: The Crises of male Impersonation in Monological Drama in Clare Wallace (Ed.) Monologues. Theatre, Performance, Subjectivity. Prague: Litteraria Pragensia Books, 2006. 278-296.
• Voigts-Virchow, Eckart. „Wendy Wasserstein, The Heidi Chronicles (1991)” in Susanne Peters, Klaus Stierstorfer, Laurenz Volkmann, Eds. Teaching Contemporary Literature and Culture II: Drama. Trier: WVT, 2006: 545-555.
• Voigts-Virchow, Eckart. „Colored Museums – Cultural Segregation, Black American Drama, and the Topdogs/Underdogs of African-American History” in Sigrid Rieuwerts, Ed. History and Drama. Essays in Honour of Bernhard Reitz. Trier: WVT, 2006: 305-315.
• Voigts-Virchow, Eckart. „‚Your Voice is Around My Neck’ – The Media History and Poetics of Theatre Telephony” in Forum Modernes Theater 19.2 (2004): 131-151.
• Pietrzak-Franger, Monika „‚The Bugger King.’” Beyond Aesthetics: Performance, Media, and Cultural Studies. Eds. Christopher Balme and Meike Wagner. Trier: WVT, 2004: 65-71.