..
Suche

Personensuche
Veranstaltungssuche
Katalog der UB Siegen

Publications

Monographs

  • Authorizing Superhero Comics: On the Evolution of a Serial Genre. In preparation.
  • Music Is My Life: Louis Armstrong, Autobiography, and American Jazz. Ann Arbor: University of Michigan Press, 2012. [Reviews in Popular Music and Society 36.5 (2013): 704-06; Jazz Research News 42 (2013); Popular Music 33.1 (2014): 173-75; Fontis Artis Musicae 60.4 (2013): 359-61]
    Publisher's Website
    Google Books Preview

Edited Books and Journal Issues

  • ---, and Lisanna Wiele, eds. Popular Culture – Serial Culture: Nineteenth-Century Serial Fictions in Transnational Perspective, 1830s-1860s. In preparation.
  • ---, Judith Ackermann, and Andreas Rauscher, eds. Playin‘ the City: Artistic and Scientific Approaches to Playful Urban Arts. Special Issue of Navigationen 16.1.
  • ---, and Martin Butler, eds. Musical Autobiographies. Special Issue of Popular Music and Society 38.2 (2015).
  • with Jan-Noël Thon. From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative.(Berlin: De Gruyter, 2013).
    [Reviews in MEDIENwissenschaft 4 (2013): 445-47.; Image [&] Narrative 14.4 (2013): 60-62.; Diegesis 3.1 (2014): 82-88.; European Comic Art 7.1 (2014): 112-16.; ImageTexT 7.3 (2014); ImageTexT 7.4 (2014); Anglia 133.2 (2015): 411–415.; Style 49. (2015)]
    Honorable Mention Perkins Book Prize, International Society for the Study of Narrative (2014)
    Publisher's Website
  • with Shane Denson and Christina Meyer, eds. Transnational Perspectives on Graphic Narratives: Comics at the Crossroads (London: Bloomsbury, 2013).
    [Review in ImageText: Interdisciplinary Comics Studies 8.1 (2015).; Journal of Graphic Novels and Comics 5.2 (2014): 236-39.; European Journal of Comic Art 7.1 (2014): 118-20.]
    Publisher's Website
    Google Books Preview
  • with Micha Edlich and Christina Meyer, eds. American Comic Books and Graphic Novels. Special Issue of Amerikastudien/American Studies 56.4 (2011).
  • with Stephan Ditschke and Katerina Kroucheva. Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Bielefeld: Transcript, 2009.
    [Reviews in interjuli: Internationale Kinder- und Jugendliteraturforschung 2 (2010): 109-114; Amerikastudien/American Studies 56.3 (2011): 491-94].
    Info and Excerpts (Publisher Website)
  • with Frank Kelleter. American Studies as Media Studies. Heidelberg: Winter, 2008.
    [Reviews in MEDIENwissenschaft 3/2009: 267-68; Journal of American Studies 45.4 (2011)]

Articles in Books

  • “Graphic Musical Biography: An Intermedial Case of Musico-Comical Life Writing.” Intermediality and Life Writing. Ed. Nassim Winnie Balestrini and Ina Bergmann. Berlin: De Gruyter, forthcoming.
  • “Gaps as Significant Absences in Serial Comic Books.” Significant Absence: Gaps in Signifiers across Media. Ed. Nassim Winnie Balestrini, Walter Bernhart, and Werner Wolf. Studies in Intermediality 11. Leiden: Brill/Rodopi, forthcoming.
  • “Unzuverlässiges Erzählen in Superheldencomics.” Comics: Reflexionen aus der Perspektive medienpädagogischer Theorie, Forschung und Praxis. Hg. Christine Dallmann und Anja Hartung-Griemberg. München: Kopaed, forthcoming 2017.
  • “Can Superhero Comics Studies Develop a Method? And What Does American Studies Have to Do with It?” Projecting American Studies: Essays on Theory, Method, and Practice. Ed. Frank Kelleter and Alexander Starre. Heidelberg: Winter, forthcoming.
  • “Serial Politicization in Antebellum America: On the Cultural Work of the City Mystery Genre.” Media of Serial Narrative. Ed. Frank Kelleter. Columbus: Ohio State UP, forthcoming 2017.
  • “Transatlantic Politics as Serial Networks in the German-American City Mystery Novel, 1850-1855.” Traveling Traditions: Nineteenth-Century Cultural Concepts and Transatlantic Intellectual Networks. Ed. Erik Redling. Berlin: De Gruyter. 2016. 249-267.
  • “Adapting Melville: Bill Sienkiewicz’s Moby-Dick.” Übersetzungen und Adaptionen von Comics. Ed. Nicole Mälzer. Berlin: Frank & Timme, 2015. 177-97.
  • "Popular Seriality, Authorship, Superhero Comics: On the Evolution of a Transnational Genre Economy." Media Economies: Perspectives on American Cultural Practices. Ed. Marcel Hartwig, Evelyne Keitel, and Gunter Süß. Trier: WVT, 2014. 133-57.
  • "Race, Gender, Sex, Class, Nation: Serienpolitik zwischen Sehnsucht und Heimsuchung in Ludwig von Reizensteins Die Geheimnisse von New-Orleans (1854-1855)." Sehnsucht suchen? Amerikanische Topographien aus komparatistischer Perspektive. Ed. Simone Sauer-Kretschmer and Christian A. Bachmann. Berlin: Chr. A. Bachmann Verlag, 2014. 39-69.
  • "Der Alligator und seine kulturpoetischen Funktionen in der Geschichte der USA." Archetypen, Artefakte: Komparatistische Beiträge zur kulturellen und literarischen Repräsentation von Tieren. Ed Alena Diedrich, Julia Hoffmann, and Niels Penke. Frankfurt/Main: Lang, 2013. 91-115.
  • with Jan Thon. “Introduction: From Comic Strips to Graphic Novels.” From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative. Ed. Daniel Stein and Jan-Noël Thon. Berlin: De Gruyter, 2013. 1-23.
  • "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative. Ed. Daniel Stein and Jan-Noël Thon. Berlin: de Gruyter, 2013. 155-89.
  • with Shane Denson and Christina Meyer. "Introducing Transnational Perspectives on Graphic Narratives: Comics at the Crossroads." Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. Ed. Shane Denson, Christina Meyer, and Daniel Stein. London: Bloomsbury, 2013. 1-12.
  • "Of Transcreations and Transnational Adaptations: Investigating Manga Versions of Spider-Man." Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. Ed. Shane Denson, Christina Meyer, and Daniel Stein. London: Bloomsbury, 2013. 145-61.
  • with Frank Kelleter. "Autorisierungspraktiken seriellen Erzählens: Zur Gattungsentwicklung von Superheldencomics." Populäre Serialität: Narration-Evolution-Distinktion. Zum seriellen Erzählen seit dem 19. Jahrhundert. Hg. Frank Kelleter. Bielefeld: transcript, 2012. 259-290.
  • "Spoofin' Spidey - Rebooting the Bat: Immersive Story Worlds and the Narrative Complexities of Video Spoofs in the Era of the Superhero Blockbuster." Film Remakes, Adaptations and Fan Productions: Remake/Remodel. Ed. Kathleen Loock and Constantine Verevis. Basingstoke: Palgrave Macmillan, 2012. 231-47.
  • "The Black Politics of Newspaper Comic Strips: Teaching Aaron McGruder’s The Boondocks and Keith Knight’s The K Chronicles." Teaching Comics and Graphic Narratives: Essays on Theory, Strategy and Practice. Ed. Lan Dong. Jefferson: McFarland, 2012. 26-39.
  • "The Comic Modernism of George Herriman". Crossing Boudaries in Graphic Narratives: Essays on Forms, Series, and Genres. Ed. Jake Jakaitis and James F. Wurtz. Jefferson: McFarland, 2012. 40-70.
  • "Teaching Poetry Through Song Adaptation: Abel Meeropol’s and Billie Holiday’s 'Strange Fruit'". Adaptation and American Studies: Perspectives on Research and Teaching. Ed. Nassim Winnie Balestrini. Heidelberg: Winter, 2011. 171-94.
  • "American Cultural Studies, Media Studies, and Intercultural Competence: Morgan Spurlock's 30 Days as Educational Resource and Didactic Model." Education and the USA. Ed. Laurenz Volkmann. Heidelberg: Winter, 2011. 205-23.
  • with Stephan Ditschke and Katerina Kroucheva. "Birth of a Notion: Comics als populärkulturelles Medium." Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Ed. Stephan Ditschke, Katerina Kroucheva, and Daniel Stein. Bielefeld: Transcript, 2009. 7-27.
  • with Frank Kelleter. "Great, Mad, New: Populärkultur, serielle Ästhetik und der frühe amerikanische Zeitungscomic." Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Ed. Stephan Ditschke, Katerina Kroucheva, and Daniel Stein. Bielefeld: Transcript, 2009. 81-117.
  • "Was ist ein Comic-Autor? Autorinszenierung in Selbstporträts und autobiografischen Comics." Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Ed. Stephan Ditschke, Katerina Kroucheva, and Daniel Stein. Bielefeld: Transcript, 2009. 201-237.
  • "The Glorious Polyphony of Multi-Tongued Eloquence: Joseph O'Connor's Star of the Sea and Redemption Falls as Irish Historiographic Metafiction." "My Age Is As a Lusty Winter": Essays in Honour of Peter Erlebach and Thomas Michael Stein. Ed. Bernhard Reitz. Trier: WVT, 2009. 149-162.
  • “From Text-Centered Intermediality to Cultural Intermediality; or, How to Make Intermedia Studies more Cultural.” American Studies as Media Studies. Ed. Frank Kelleter and Daniel Stein. Heidelberg: Winter, 2008. 181-90.
  • with Frank Kelleter. “American Studies as Media Studies.” American Studies as Media Studies. Ed. Frank Kelleter and Daniel Stein. Heidelberg: Winter, 2008. ix-xvi.
  • “Walter Mosley’s RL’s Dream and the Creation of a Bluetopian Community.” Finding a Way Home: A Critical Assessment of Walter Mosley's Fiction. Ed. Derek C. Maus and Owen E. Brady. Jackson: UP of Mississippi, 2008. 3-17.
  • “Rememorizing Uncle Tom’s Cabin: The Transformation of Race Melodrama in Toni Morrison’s Beloved.” Melodrama! The Mode of Excess from Early America to Hollywood. Ed. Frank Kelleter, Barbara Krah, and Ruth Mayer. Heidelberg: Winter, 2007. 263-282.
  • “Jazz-Autobiographie und kulturelle Intermedialität: Theoretische und praktische Überlegungen zur Beziehung von autobiographischem Text und improvisierter Jazzmusik.” Literatur und Musik in der klassischen Moderne: Mediale Konzeptionen und intermediale Poetologien. Ed. Joachim Grage. Würzburg: Ergon, 2006. 327-346.

Articles in Journals

 

  •  “Zu den Potentialen einer kulturwissenschaftlichen grafischen Literaturwissenschaft: Ein Analysevorschlag am Beispiel von Jeremy Loves Graphic Novel Bayou.” Closure: Kieler e-Journal für Comicforschung 3 (2016): 4-22. 5.12.2016. http://www.closure.uni-kiel.de/closure3/stein.
  • „Erzähl es noch einmal: Was machen wir mit Serien, und was machen sie mit uns?“ Neue Zürcher Zeitung, 27.8.2016.
  •  „Jeremy Loves Graphic Novel Bayou: Ein Analysevorschlag aus Sicht der kulturwissenschaftlichen Literaturwissenschaft“. Closure: Kieler E-Journal für Comicforschung 3 (forthcoming 2016).
  • ---, Judith Ackermann, and Andreas Rauscher. “Introduction: Playin‘ the City. Artistic and Scientific Approaches to Playful Urban Arts.” Ed. Judith Ackermann, Andreas Rauscher, and Daniel Stein. Special Issue of Navigationen 16.1 (2016): 7-23. forthcoming.
  • “Playing the City: The Heidelberg Project in Detroit.” Playin’ the City: Artistic and Scientific Approaches to Playful Urban Arts. Ed. Judith Ackermann, Andreas Rauscher, and Daniel Stein. Special Issue of Navigationen 16.1 (2016): 53-70.
  • “Mummified Objects: Superhero Comics in the Digital Age.” Materiality and Mediality of Contemporary Comics. Ed. Jan-Noël Thon and Lukas Wilde. Special Issue of Journal of Graphic Novels and Comics (2016).
  • “From Uncle Remus to Song of the South: Adapting American Plantation Fictions.” Southern Literary Journal 47.2 (forthcoming 2015).
  • ---, and Martin Butler. “Musical Autobiographies: An Introduction.” Musical Autobiographies. Ed. Daniel Stein and Martin Butler. Special issue of Popular Music and Society 38.2 (2015): 115-21.
  • “Onkel Satchmo Behind the Iron Curtain: The Transatlantic Politics of Louis Armstrong’s Visit to East Germany.” Americana: The Journal of American Popular Culture 13.1 (2014).
  • with Christina Meyer and Micha Edlich. "American Comic Books and Graphic Novels." American Comic Books and Graphic Novels. Special Issue of Amerikastudien/American Studies 56.4 (2011): 501-29.
  • "'I was writing about racism long before I was making fun of presidents': An Interview with Cartoonist Keith Knight." Studies in Comics 2.2 (2011): 243-56.
  • "Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate." Oslo Conference Special Issue. European Journal of American Studies 2, document 8 (2011).
    Online Access
  • "Barack Obama’s Dreams from My Father and African American Literature." European Journal of American Studies 1, document 7 (2011).
    Online Access
  • “Louis Armstrong as a Model for Intermedia Theory.” Special feature, Heidelberg Center for American Studies, Annual Report 2009/10 (2010): 164-73.
  • "The Long Shadow of Wilhelm Busch: 'Max & Moritz' and German Comics," International Journal of Comic Art 12.2/3 (fall 2010): 291-308.
  • "The Things That Jes' Grew? The Blues "I" and African-American Autobiographies.” Interdisciplinary Humanities, Special Issue Blues and Jazz, 26.2 (fall 2006): 43-54.
  • "Hearing, Seeing, and Reading Thelonious Monk: Toward a Theory of Changing Iconotexts." Amerikastudien/American Studies 50.4 (2005): 603-627.
  • "The Performance of Jazz Autobiography." Blue Notes: Toward a New Jazz Discourse. Ed. Mark Osteen. Genre: Forms of Discourse and Culture 37.2 (2004): 173-199.
    Download
  • "'I Ain’t Never Seen A Nigger’: The Discourse of Denial in Lee Smith’s The Devil’s Dream." European Journal of American Culture 22.2 (2003): 139-157.

Handbook and Encyclopedia Entries

  • ---, and Lukas Etter. “Long-length Serials in the Golden Age of Comic Strips: Production and Reception.” The Cambridge History of the Graphic Novel. Ed. Jan Baetens, Hugo Frey, and Stephen Tabachnick. Cambridge: Cambridge UP, forthcomingg.
  • ---, and Lukas Etter. “Archives and Archivists: Comics as Forms of Serial Storytelling.” Handbook of Comics and Graphic Novels. Ed. Dirk Vanderbeke, Sebastian Domsch, Dan Hassler-Forrest. Berlin: De Gruyter, forthcoming. “Amerikanistik.” Handbuch Popkultur. Ed. Thomas Hecken and Marcus S. Kleiner. Stuttgart: Metzler, 2017, forthcoming ---, and Lukas Etter. “Comictheorie und Forschungspositionen.” Comics und Graphic Novels: Eine Einführung. Ed. Julia Abel and Christian Klein. Stuttgart: Metzler, 2015. 107-126.
  • "Comics and Graphic Novels.” Intermediality: Literature–Image–Sound–Music. Ed. Gabriele Rippl. Berlin: De Gruyter, 2015. 420-438.
  • "The Singing Detective." Klassiker der Fernsehserie. Ed. Thomas Klein and Christian Hißnauer. Stuttgart: Reclam, 2012. 190-195.
  • "Barack Obama, Dreams from My Father,” “Toni Morrison, A Mercy,” “James Purdy, erzählerisches Werk,” Kindlers Neues Literatur Lexikon (Online Supplement). Ed. Heinz Ludwig Arnold. Stuttgart: Metzler, 2010.
  • "The Left Behind Series, Jerry B. Jenkins and Tim LaHaye.” The Encyclopedia of American Popular Fiction. Ed. Geoff Hamilton and Brian Jones. New York: Facts on File, 2009.
  • "Nelson Algren, The Man with the Golden Arm"; "William Burroughs, erzählerisches Werk"; "Charles Chauncy, Prosawerk"; "Samuel Clemens, The Adventures of Tom Sawyer"; "Countee Cullen, lyrisches Werk"; "Ralph Ellison, Invisible Man"; "Ralph Ellison, Shadow and Act"; "Louise Erdrich, Tracks"; "Stephen Greenblatt, literaturtheoretisches Werk"; "Alain Locke, The New Negro"; "N. Scott Momaday, House Made of Dawn"; "Toni Morrison, Beloved"; "Toni Morrison, Love"; "Toni Morrison, Paradise"; "Toni Morrison, Playing in the Dark"; "Toni Morrison, Song of Solomon"; "Toni Morrison, Sula"; "Toni Morrison, Tar Baby"; "Chuck Palahniuk, erzählerisches Werk"; "Ishmael Reed, Flight to Canada"; "Richard Rodriguez, Hunger of Memory"; "Mary Rowlandson, The Sovereignty and Goodness of God"; "Jerome D. Salinger, erzählerisches Werk"; "Samuel Sewall, Diary"; "Thomas Shepard, Autobiography"; "Nathaniel Turner, The Confessions of Nat Turner"; "Alice Walker, The Color Purple." Kindlers Neues Literatur Lexikon. Ed. Heinz Ludwig Arnold. Stuttgart: Metzler, 2009.
  • "African American Musicals"; "Jewish American Musicals." The Greenwood Encyclopedia of Multiethnic American Literature. Ed. Emmanuel S. Nelson. Westport, Conn.: Greenwood, 2005. 68-70; 1156-1160.
  • "James P. Johnson"; "Musical Theater." The Greenwood Encyclopedia of African American Literature. Ed. Hans Ostrom and J. David Macey. Westport, Conn.: Greenwood, 2005. 877-879; 1144-1150.

Reviews

  • Rev. of Jeff Thoss, When Storyworlds Collide: Metalepsis in Popular Fiction, Film and Comics. Leiden: Brill-Rodopi, 2015. In: Anglia 134.3 (2016): 568-572.
  • Rev. of Oliver Scheiding and Martin Seidl, eds. Worlding America: A Transnational Anthology of Short Narratives before 1800. Stanford: Stanford UP, 2015. Anglistik 27.1 (2016): 185-86.
  • Rev. of Allen, Robert and Thijs van den Berg, eds. Serialization in Popular Culture. New York: Routledge, 2014. In: Serial Narratives. Ed. Kathleen Loock. Special Issue of Literatur, Wissenschaft und Unterricht XLVII.1/2 (2015). 211-12.
  • Rev. of Susanne Hamscha, The Fiction of America: Performance and the Cultural Imaginary in Literature and Film. In: Journal of American Studies 48.2 (2014): doi: 10.1017/S0021875814000371.
  • Alexander J. Beissenhirtz, Affirmation and Resistance: The Politics of the Jazz Life in the Self-Narratives of Louis Armstrong, Art Pepper, and Oscar Peterson. In: ZAA Zeitschrift für Anglistik und Amerikanistik 61.4 (2013): 413-16.
  • Jared Gardner, Projections: Comics and the History of Twenty-First-Century Storytelling. Amerikastudien/American Studies 58.1 (2013): 171-74.
  • Susanne Hamscha, The Fiction of America: Performance and the Cultural Imaginary in Literature and Film. In: Journal of American Studies 48.2 (2014): doi: 10.1017/S0021875814000371.
  • Matthew Pustz (ed.), Comic Books and American Cultural History: An Anthology. Transformative Works and Cultures (2013).
    Online access
  • Frederick Luis Aldama (ed.), Multicultural Comics: from Zap to Blue Beetle, Dec. 3, 2012, Gesellschaft für Comicforschung.
    PDF-Download
  • Stephen Knight, The Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century. Clues: A Journal of Detection 30.2 (2012): 109-11.
  •  Jörn Ahrens and Arno Meteling (ed.), Comics and the City: Urban Space in Print, Picture and Sequence. Studies in Comics 1.2 (2010): 387-89.
  • Mark Berninger, Jochen Ecke, and Gideon Haberkorn (ed.), Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives. Studies in Comics 1.2 (2010): 390-92.
  • Vincent Carretta, Equiano, the African: Biography of a Self-Made Man. Wasafiri 48 (2006): 100-101.
  • Andrea Most, Making Americans and John Bush Jones, Our Musicals, Ourselves. Amerikastudien/American Studies 51.1 (2006): 127-129.